Hozier meant the song and the music video to attack policies that value rules and prejudice over love and acceptance. And obviously I’m not alone in thinking that.” According to an interview with The Cut, the song is also about homophobia in general and state oppression of homosexuals in Russia. In an interview with the Star Tribune, Hozier explains that his song is an attack on anti-homosexuality in the church, especially the Catholic church: “I’m not condemning the church or religion on the whole, just that one policy, which seems so wrong to me. His ultimate question seems to be: How could anyone choose a rule-making (or shame-adding) church over the experience of love in sex no matter what the form? Hozier's Intention Near the end of the song, he re-summarizes his thesis: "In the madness and soil of that sad earthly scene / Only then I am human / Only then I am clean." What the church considers an "earthly scene"-intercourse not within a heterosexual marriage-Hozier finds to be one way to ultimate satisfaction in life, something to be pursued and claims it to be "innocence." To end the song, he compares the love he has just described to his view of the church, repeating the chorus twice, emphasizing the stark contrast he sees there. demands a sacrifice," and that is the act of sex, which Hozier refers to with innuendoes referencing "something shiny," "drain the whole sea," and "omething meaty for the main course." He claims to be "a pagan of the good times" who worships his lover who is "the sunlight." But, in keeping with the pagan imagery, this "goddess. Then, Hozier reinforces his opinion that sex (whether heterosexual or homosexual, his interviews show) is an act of love far better than being beholden to a religion. Hozier sings, "Take me to church / I'll worship like a dog at the shrine of your lies / I'll tell you my sins and you can sharpen your knife." He claims that the church demeans its attendees and attacks them for the things they do when those things go against the church's doctrine. The chorus is an explicit and sarcastic attack on legalistic churches (or any church that follows guides which cause congregants to feel shame). The main point of this song is that Hozier feels closer to God (or the "good life" or "right living") in the act of love in sex, not when he adheres to established religion. In the next stanza, Hozier sings that his girlfriend invites him to "worship in the bedroom" and that he's sent to Heaven when he's with her. This girl is more desirable than church and, he thinks, a better way to understand the meaning of life. And compared to her, he believes church to be a "bleak" place, that spits out "poison" at those who attend, telling them that they were "born sick" in sin. In the next stanza, he claims that "f the heavens ever did speak / she's the last true mouthpiece." He believes that if God exists, He would speak through this woman.
Hozier begins by singing about an imaginary girlfriend who "giggles at a funeral," and who "knows everybody's disapproval." He regrets not having "worshipped her sooner." Hozier is strongly attracted to this woman, whomever she is. The song comes in two parts: an adoration of Hozier's female lover and an indictment of the church.
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